ID |
Image |
Painting (From A to Z) |
Details |
42542 |
|
Portretbuste of Caracalla |
MK169
ca. 215 n. Chr. Marble height 50.8cm Museo Nazionale, Napels |
42541 |
|
Portretkop, end borrow century v. Chr. Stone. |
MK169
height 27.4xcm Museo Tue Antichita, Turjin |
56992 |
|
Portuguese |
mk250 Year in 1911. 117.2 x 81.3 cm. Basel Museum of Fine Arts. |
43415 |
|
Possessing the territory the inheritance lavishes |
mk171
|
48472 |
|
Possibly after Lucas de Heere Allegory of the Tudor Succession |
mk190
c.1590-1600
New Haven.
|
80062 |
|
Posthumous portrait of Louise elisabeth de Bourbon |
after 1775(1775)
Oil on canvas
77 x 62.5 cm (30.3 x 24.6 in)
cjr |
74517 |
|
Potok gorski |
Około 1840;
cjr |
46692 |
|
poultry 127 |
This is oil painting of poultry on canvas. |
46706 |
|
poultry 141 |
This is oil painting of poultry on canvas. |
46712 |
|
poultry 147 |
This is oil painting of poultry on canvas. |
46725 |
|
poultry 160 |
This is oil painting of poultry on canvas. |
46726 |
|
poultry 161 |
This is oil painting of poultry on canvas. |
46727 |
|
poultry 162 |
This is oil painting of peoltry on canvas. |
46734 |
|
poultry 169 |
This is oil painting of poultry on canvas. |
46739 |
|
poultry 174 |
This is oil painting of poultry on canvas. |
46743 |
|
poultry 178 |
This is oil painting of poultry on canvas. |
46753 |
|
poultry 188 |
This is oil painting of poultry on canvas. |
46639 |
|
Poultry 076 |
This is oil painting of Poultry on canvas. |
46640 |
|
Poultry 077 |
This is oil painting of Poultry on canvas. |
46648 |
|
Poultry 085 |
This is oil painting of poultry on canvas. |
46650 |
|
Poultry 086 |
This is oil painting of Poultrys on canvas. |
46655 |
|
Poultry 091 |
This is oil painting of poultry on canvas. |
46657 |
|
Poultry 093 |
This is oil painting of poultrys on canvas. |
46658 |
|
Poultry 093 |
This is oil painting of Poultrys on canvas. |
46664 |
|
Poultry 099 |
This is oil painting of Poultry on canvas. |
46680 |
|
Poultry 115 |
This is oil painting of Poultry on canvas. |
46684 |
|
Poultry 119 |
This is oil painting of poultry on canvas. |
46686 |
|
Poultry 121 |
This is oil painting of poultry on canvas. |
46687 |
|
Poultry 122 |
This is oil painting of poultry on canvas. |
46696 |
|
Poultry 131 |
This is oil painting of poultry on canvas. |
41875 |
|
Praise of the Virgin with Scenes from the Acathist Hymm |
mk165
Cathedral of the Dormition of Moscow Kremlin
Moscow
|
66705 |
|
Pravel |
2,239 ?? 2,954 pixels |
76204 |
|
Praying old man. |
1881(1881)
watercolor on paper
47.5 ?? 66 cm (18.7 ?? 26 in)
cjr |
74703 |
|
Predigt Johannes des Taufers |
1635
Oil on copper
35 X 47 cm
cjr |
76813 |
|
Predigt Johannes des Taufers |
Date 1635
Medium Oil on canvas
cyf |
75054 |
|
Predigt Johannes des Taufers, Detail |
1635
Oil on canvas
cjr |
49240 |
|
Presentation of Charger Coquette to Colonel Mosby by the men of his Command,December 1864 |
mk195
1864
Oil on canvas
14x20
|
60108 |
|
Presented by the advertisement |
mk270 the concert by a d gabbiani shows seven modena court musicians playing violins cello and haropsichord |
70901 |
|
Prima neve |
ca. 1890-1900
Oil on canvas
35 x 54 cm
|
34251 |
|
Prince and hermit |
mk90
The Prince represented here is probably Akbar\'s son Salim,the future emperor Jahangir
|
34135 |
|
Prince Bahram i Gor slays the Dragon |
mk90
Illustration to Firdawsi\'s Book of Kings,Shirdz
1370
|
77124 |
|
Prince Edward 1764-1765 |
1764-1765
cjr |
34250 |
|
Prince Faridun shotts an arrow at a gazelle,an allegory of the ray of divine light piercing the soul |
mk90
British Library |
34165 |
|
Prince Humay before thee Palace of Princess Humayun of China |
mk90
Illustration, by Junayed to the early fourteenth century Romance.
|
34167 |
|
Prince Humay dreams that he meets Princess Humayun of China in her garden |
mk90
Tabriz or Herat.
early fifteenth Century
Musee des Arts decoratifs.
Paris.
|
73941 |
|
Prince Mukhranbatoni |
Art Museum of Georgia Tbilisi, compiled and introduced by Tamaz Sanikidze (1985), Aurora Art Publishers, Leningrad
cyf |
80147 |
|
Prince Wladyslaw Vasa |
1626(1626)
Oil on panel
72.5 x 104 cm (28.5 x 40.9 in)
cjr |
73787 |
|
Prince Yahya |
between 1835(1835) and 1836(1836)
Medium Oil on canvas
Dimensions 170.2 X 88.9 cm (67.01 X 35 in)
cyf |
34183 |
|
Princes of the House of Timur. |
mk90
Painting on cotton
107.5cmx111.5cm
|
80531 |
|
Princess and the Monkey |
Medium Audekls, eļļa
Dimensions 147.5 x 71 cm (58.1 x 28 in)
cyf |
78083 |
|
Princess Louise of Stolberg-Gedern |
1793(1793)
Oil on canvas
73 x 93 cm (28.7 x 36.6 in)
cjr |
75834 |
|
Princess Sabra Led to the Dragon |
The Princess Sabra Led to the Dragon Painting Date: 1866 Medium: Oil on canvas Location: Private Collection
cyf |
63850 |
|
Principal Led before the Madonna |
1425-50 Tempera on vellum, 14,5 x 9,9 cm Rijksmuseum Twenthe, EnschedeArtist:MINIATURIST, Netherlandish Title: Principal Led before the Madonna Painted in 1401-1450 , Flemish - - illumination : religious |
61471 |
|
prins albert yngste sonen till hertigen av sachsen coburg gotha |
mk275 prins albert yngste sonen till hertigen av sachsen coburg gotha |
76139 |
|
Prinsengracht canal |
oil on canvas/maroufl??, 25 x 39 cm
cyf |
77376 |
|
Prinzessin Isabella von Parma Gemahlin von Joseph II. |
1758(1758)
Oil on canvas
82 x 64,3
cjr |
74347 |
|
Prise de la Bastille |
Date 4th quarter of the 18th century
Medium Oil on canvas
Dimensions 73 X 58 cm (28.74 X 22.83 in)
cyf |
71937 |
|
Prise du palais des Tuileries |
1793(1793)
Oil on canvas
192 X 124 cm (75.59 X 48.82 in)
|
73248 |
|
Prise du palais des Tuileries |
Date 1793(1793)
Medium Oil on canvas
Dimensions 192 X 124 cm (75.59 X 48.82 in)
cyf |
50526 |
|
Prisoners from the front |
mk212
1866
Oil oncanvas
24x38in
|
41905 |
|
Private Iconostas |
mk165
Icon Museum
Recklinghausen
Germany
|
73194 |
|
Procession at Nenvic |
Oil painting reproduction of Ferdinand du Puigaudeau.
cjr |
63758 |
|
Procession of Canons |
1250 Stone Cathedral, Amiens The statues are on the South Porch of the Amiens Cathedral. At the beginning of the 13th century there is a relaxation in style of the architectural sculptures. The faces fill out and the features become much more natural and human. In addition, the statues appear rather more as works of art in their own right and less as architectural adjuncts.Artist:GOTHIC SCULPTOR, French Title: Procession of Canons Painted in 1201-1250 , French - - sculpture : religious |
76108 |
|
Procession Of St. Agnes |
"The Procession Of St. Agnes" oil on Canvas.
cyf |
49552 |
|
Product Forfaders gudatro |
mk201 |
48900 |
|
Professor Curman am teaching akademielever in anatomy |
mk187
1894
Oil slick pa screen
86.5x157cm |
52769 |
|
Prykke of Conscience window |
mk223
Oil on canvas
|
65017 |
|
Psalm Book of the Prince St Philip |
1386 Illumination on parchment Biblioth?que Nationale, Paris The miniature representing St Philip and shown here is a page from the Psalm Book of the Prince. The manuscript is the work of Andr?Beauneveu, a sculptor, painter and miniaturist, one of the most important French artists of the period. Only a few of his works survived. Since 1364 he worked for King Charles V and was commissioned for four funeral monuments in the Abbey of St Denis in Saint-Denis. Later he went to England and Flanders. From 1386 until his death he worked for Prince of Berry. , MINIATURIST, French , Psalm Book of the Prince St Philip , 1351-1400 , French , illumination , religious |
64992 |
|
Psalter of Blanche of Castile |
1235 Illumination on parchment, 28 x 20 cm Biblioth?que de l'Arsenal, Paris This is a page from the so-called Psalter of Blanche of Castile representing the Crucifixion and Deposition. This psalter - according to a fourteenth-century tradition - belonged to Blanche of Castile (died 1252), the mother of Louis IX. It is a richly decorated book with illustrations arranged in roundels. This idea almost certainly derives from stained glass. Since the glazier was a specialized sort of painter, it is not surprising to find the two professions overlapping. Stained glass frequently mirrors the style of manuscript painting; and here the illuminator seems to be adapting to a page layout an idea taken over from the glazier. , MINIATURIST, French , Psalter of Blanche of Castile , 1201-1250 , French , illumination , religious |
65011 |
|
Psalter of Duke Berry |
1380-1420 Illumination on parchment Biblioth?que Nationale, Paris The miniature depicts three singing monks of rather individual faces. While most of the miniatures of this codex are the work of Andr?Beauneveu this page was executed by another unknown miniaturist. , MINIATURIST, French , Psalter of Duke Berry , 1351-1400 , French , illumination , religious |
64993 |
|
Psalter of St Louis |
1252-70 Illumination on parchment, 21,0 x 14,5 cm Biblioth?que Nationale, Paris This page from the Psalter of St Louis depicts Balaam and his Ass . It is known that Louis IX built up a library of manuscripts and himself commissioned a number of works, among them the Psalter of St Louis. It is a luxurious book, with a preliminary group of seventy-eight full-page illuminations of scenes from the Old Testament. These are remarkably uniform in their layout. Each page contains a row of figures surmounted by a handsome architectural canopy with pinnacles, traceried windows and two large gables each containing a rose window. It is worth noting that this type of decoration can equally well be found in the small reliquiaries of goldsmiths. With these manuscripts the earlier style vanishes. Drapery falls with reasonable naturalism over the figures, it hangs rather than clings. The figures are dainty in their proportions and actions and have long arms which they tend to gesticulate. But it is perhaps in the heads that the change is most obvious. They are tiny in proportion to the bodies and are scarcely coloured, much less modelled in colour. The main features are drawn in, each head representing a minute triumph of penmanship. In the formation of this style, the influence of sculpture seems likely. The illustration is from the story of Balaam and his ass, very popular in the Middle Ages. Balaam, riding on his ass, is followed by his servant and by the princes of Moab. The subtle and slender figures are elongated in the Gothic style; the heads are small and long, their fingers delicate and expressive. The unknown master was above all intent on conveying emotions, and the gestures of the figures are used to elucidate the story. The decorative and compelling effect of the miniature is enhanced by the magnificent colours. , MINIATURIST, French , Psalter of St Louis , 1251-1300 , French , illumination , religious |
65207 |
|
Psalter of St Margaret of the House |
1259-61 Illumination on parchment Herzog-August-Bibliothek, Wolfenb?ttel Similarly to other Psalters, the first initial B of the text of the first psalm is the most beautifully decorated lettes of the manuscript. In the upper part the half-figure of Christ, in the lower King David palying the harph can be seen. The Hungarian miniaturist alloyed Byzantine, Romanesque elements reaching an individual style. The first owner of the codex was Margaret, daughter of King B?la IV, a nun later canonized. Artist: MINIATURIST, Hungarian , Psalter of St Margaret of the House ?rp?d , 1251-1300 , Hungarian , illumination , religious |
39414 |
|
Ptolemaus II. Phildelphus v. Egypt (to the right) and queen Arsinoe, his wife and sister |
mk148
Nominally this king gave the translation of the Bible in the Greek for the library in Alexandria in order |
77826 |
|
Pudica, ulei pe carton |
Pudica, ulei pe carton, 41 x 33 cm, semnat stânga jos, în ideogramă, cu negru, T.
cjr |
76180 |
|
Pussy Willows |
Pussy-Willows
cyf |
27608 |
|
Putti fighting a mock battle |
mk56
oil on panel
Franco-Flemish School,circa 1600
|
27570 |
|
Putti in a landscape |
mk56
a pair,both oil on panel
Follower of Luis Paret y Alccazar
|
34207 |
|
Qays,the future Majnun,begins as a scribe to write his poem in honor of the theophany through Layli |
mk90
|
57208 |
|
Qian Xia grandmother is a good person |
mk253 Oil 285 x 345 cm Moscow in 1970 -1974, the State Tretyakov Gallery collection |
56793 |
|
Qiao Vanni Arnow Pfennig and his bride |
mk250 Year in 1434. Plank oil, about 81.3 x 59.7 cm. National Gallery in London. |
56901 |
|
Qu Yuan |
mk250 Japanese city of Hiroshima, Itsukushima Shrine, the Meiji era, the year 1898. Vertical shaft, silk colors, 32.1 x 289.6 cm. |
49331 |
|
Quantrill-s Raid on Lawrence,August 21 |
mk195
1863
Pencil
9x16
|
90109 |
|
Queen Amalia. |
1848(1848)
Medium oil on canvas
Dimensions Height: 53 cm (20.9 in). Width: 62 cm (24.4 in).
cjr |
77100 |
|
Queen Caroline (Bonaparte) of Naples in the tradiontal costume of a Neapolitean farmer. |
1813(1813)
Oil on canvas
32.7 ?? 23.8 cm (12.9 ?? 9.4 in)
cjr
.
|
49569 |
|
Queen Crystal each a djarv ryttarinna |
mk201
Had am seeing wes hers wonder a chase page to hoger hall a jaktfalk. |
52732 |
|
Queen Elizabeth dancing with robert dudley,earl of Leicester |
mk223
Oil on canvas
|
50868 |
|
Queen elizabeth Daning with robert dudley |
mk216
at sight of whom her whole body was suffused with desire during the early days of her reign
|
48473 |
|
Queen Elizabeth i leads in Peace and Plenty from a Garden |
mk190
|
52619 |
|
Queen Margarita of Austria |
1609 Oil on canvas, 116 x 100 cm |
48830 |
|
Queen Mary Antoinette with sina tva baby in Triangle park |
mk187
1785
Oil slick
276x194cm |
41362 |
|
Queen Mary i |
mk160
Painting
1544
|
65127 |
|
Queen Mary Psalter |
1300-1320 Illumination on parchment British Library, London The large codex contains hundreds of illustrations of scenes from the Old and New Testament. It is one of the most outstanding piece of the 14th century English codices. This page is divided into six fields of different background patterns, all representing the figures of a prophet and an apostle. Their names are at the bottom of the fields: Sofonias-Philippus, Micheas-Matheus, Daniel-Tadeus, Iohel-Bartolomeus, Malachias-Simon, Ezechiel-Mathias. The name of the codex comes from the fact that 200 years after its creation it was given to Queen Mary of Tudor. , MINIATURIST, English , Queen Mary' Psalter , 1301-1350 , English , illumination , religious |
65131 |
|
Queen Mary Psalter |
1310 Illumination on parchment, 27,5 x 17,3 cm British Museum, London The illumination from the Queen Mary Psalter represents the Marriage at Cana. In the beginning of the fourteenth century the most important group of English manuscripts is associated with not London but East Anglia. One book of this group, the so-called Queen Mary Psalter with its high quality and prolific but restrained illustration, ought to be a royal book. It contains a large number of introductory pictures, pictures set in the text, and small drawings at the foot of the pages. The illustrations are executed in a drawing technique. The small drawings are lightly tinted; the main pictures are more heavily coloured but still rely on line rather than modelling. The Psalter has some interesting features. The presentation of most of the illuminations is uniform in that the scenes are enacted within a modest architectural framework. They are, moreover, included within the text of the psalter as illustrations independent of the initial decoration. , MINIATURIST, English , Queen Mary Psalter , 1301-1350 , English , illumination , religious |
56722 |
|
Queen of Sheba left |
mk250 Year in 1648. Oil on canvas, 147.3x193. National Gallery in London. |
72437 |
|
Queen Victoria Lying in State |
Date ca. 1901(1901)
Medium Oil on panel
Dimensions 35.5 X 29.9 cm (13.98 X 11.77 in)
cyf |
41922 |
|
Queer with the Nino Jesus in-between constant and justiniano |
mk166
Century X.Mosaico of one Lunette |
26275 |
|
Rabbit |
This is unknown artist's work. |
46635 |
|
Rabbit 072 |
This is oil painting of Rabbits on canvas. |
46681 |
|
Rabbits 116 |
This is oil painting of Rabbits on canvas. |
46700 |
|
Rabbits 135 |
This is oil painting of rabbits on canvas. |